Dark Phoenix by Eric Matos

Dark Phoenix by Kevin Wada

Dark Phoenix by Ray Ocampo

Dark Phoenix by Eric Chen

Dark Pheonix by Jae Lee

Dark Phoenix by Tom Raney

Dark Phoenix by Kevin West

Dark Phoenix by Yildiray Cinar

Dark Phoenix by Becky Cloonan

Dark Phoenix by Khoi Pham

Dark Phoenix by Micah J. Gunnell

Dark Phoenix by Craig Hamilton

Dark Phoenix by Larry Stroman

1989 - Anatomy of a Cover - Classic X-Men #37 by Steve Lightle

Dark Phoenix by Dustin Weaver

The art of Alex Garner

http://alexgarner.deviantart.com/

1983 - Anatomy of a Cover - Uncanny X-Men #175

By Paul Smith.

http://paulmartinsmith.com/content/uncanny-x-men-175-cover-november-1983

Dark Phoenix by Philip Tan

http://www.comicartfans.com/GalleryPiece.asp?Piece=1092598&GSub=126106

What if the Dark Phoenix Saga never happened?

Back in 2009, on his forum (http://www.byrnerobotics.com/forum/forum_posts.asp?TID=30441), John Byrne wondered what might have happened if he could have changed Claremont's mind:

I was looking at THIS, in the Gallery, and got to musing on how different Marvel history might have been if the editors and I had leaned a little harder on Chris, every time he tried to boost Jean’s power levels no matter how I drew them.

Of course, Phoenix had already happened before I came on board, but if it had not been for my complaints that she was was rapidly turning the X-Men into fifth wheels in their own book, along with Chris’ determination to keep ramping up her power, Steve Grant might never have spoken those six little words, “Why not make her a villain?”

Steve’s idea was perfectly reasonable, in context. “Power corrupts” was a not uncommon theme in Marvel comics, and as Chris had already turned Jean’s powers well past 11, the notion that “absolute power corrupts absolutely” seemed an almost organic extension. Plus, Jean as a villain brought all kinds of additional angst to the book and characters. She was a favorite of mine, and I did not really want to see her go down that path, but it seemed like she needed to be sacrificed for the good of the other characters and the title itself.

I had no idea how literal that would turn out to be!

It’s undeniable that the Dark Phoenix Saga is what pushed UNCANNY X-MEN fully into the limelight, tho it took a while for the speculators to catch up and boost sales to match. In those early days we were still pretty much selling one comic to one warm body, and our sales lay well below the likes of AMAZING SPIDER-MAN or FANTASTIC FOUR.

But what if I’d thrown my weight around a bit more? Chris handling the characters in ways I didn’t like — principally using the captions and dialog to turn scenes into something other than what we’d plotted —would eventually lead to my leaving the book and moving on to FANTASTIC FOUR. A happier place for me, as it turned out (at least at the beginning), but what might have happened if I’d been able to keep X-MEN the happy place it had been when I first arrived? If Phoenix had been kept down to just Super Marvel Girl, rather than a nascent goddess?

There would have been no Dark Phoenix, of course. No need. Scott and Jean might have continued on their romantic arc undisturbed, so no reason for Scott to leave, or to fall for Madlyne Prior. Magneto would not have been allowed to “reform” — and any suggestion of him doing so would have been preposterous after what we’d planned for 150. UNCANNY X-MEN might well have stayed “small”, growing its audience, perhaps. but just as likely staying one step ahead of the cancellation axe, as it was for most of my time on the title.

There’s even the possibility that Chris, frustrated, might have been the one who left. There were already plans afoot to give me script approval (tho this was after Dark Phoenix), and if that had happened earlier, I might have found myself both writing and drawing the book.

Which, I suspect, would not have lasted long. UNCANNY did not really become “hot” until Paul Smith came along, and that was less due to Paul’s arrival than to the buzz the book was generating out of Dark Phoenix and all that followed. If Chris had left, or been reeled in, none of that would have happened.

Howard Chaykin has said that the present state of the comicbook industry is all my fault. That I, as the “first superstar” was the one who set everything on the path that led to what we see now. Looking back on my X-MEN days, and thinking about how different things might have been, I am suddenly thinking Howard might be right!

1980-ish: Batman and the X-men

Continuing the trend of Marvel riffing on Batman, here are a few scans from an April Fool's gag by the fine folks at uncannyxmen.net.

Back in 2009, Chris Claremont was about to start his reboot series X-men Forever, an alternate reality series that purportedly told the story of what would have happened to the X-men if Claremont hadn't left Marvel back in 1991. At the same time, Marvel and DC that allegedly struck a deal that allowed one hero and one villain to switch universes. DC got Spider-Man, while Marvel ended up with Batman and the Joker.

So enthused about this development, Claremont decided to retell all his old X-men stories, with Batman as part of the team. Marvel agreed, so nothing prevented this from seeing the light of day.

In another surprise move, Claremont divulged his entire five year outline for the Bat-rebooted X-men. Chris figured that given how quickly his books got cancelled these days, he might as well get the story he planned to tell out there. In an interesting break from the source material, it wasn't Thunderbird who died during the team's second mission, but Cyclops... Which gave Batman a more than valid reason to become the X-men's new leader.

With the Batman in charge, there would be a few remarkable changes. For one, having the world's greatest detective on your team helped Wolverine learn every last bit of his origin decades before he'd normally would have... and the X-men's costumes got a subtle redesign as well. See if you can spot it.

In this reality, Jean Grey would sacrifice her life to the Phoenix entity in order to save her teammates as well. The Phoenix would eventually be corrupted by the Hellfire Club, just like she'd been in the regular 616-continuity. This time around, it wasn't Jason Wyngarde who seduced her... but rather an old, familiar foe.

The Joker had used his hallucinogens to sway Phoenix to his side. He used her to join the Hellfire Club, whose members in Claremont's revised universe no longer took their names from chess pieces, but from a deck of playing cards. This ensured that while there could be numerous Kings, Queens, Jacks and Aces, there would only be one Joker. Still, the crown prince of crime wasn't able to contain the cosmic force of life and death for long...  Phoenix became Dark Phoenix and threatened to consume all of creation.

Luckily, the Joker doesn't like to get upstaged and he killed her with a magic crowbar, resulting in this unforgettably reimagined cover.

And that's all she wrote for Batman and Outsid... X-men. A fun spoof I actually would have liked to see for real. If only to witness a team up between Arcade and the Joker who join force to ensure a visit to Murder World will truly be the t(h)reat of a lifetime...