Monday, November 9, 2009

1987 - Marvel Graphic Novel #27 - Emperor Doom


Marvel Graphic Novel #27 - Emperor Doom
Writer: David Michelinie
Artists: Bob Hall and Keith Williams


Okay, up front I’ll admit I’m a big West Coast Avengers fan. There I’ve said it. I really enjoyed the 1984 miniseries (which also featured art from Bob Hall) and loved how these B-level superheroes came together as an A-level Avengers team. This graphic novel took place before the regular series.

Dr. Doom kidnaps the Purple Man and uses his powers in his latest scheme to take over the world. He enlists the aid of Namor to help him gain control of those who aren't susceptible to the Purple Man's powers. His plan, for once, goes rather smoothly and in no time he's declared Emperor of the World. Interestingly, Doom proved to be an intelligent, resourceful leader solving most of the world's problem by bringing it peace and stability.


Meanwhile, our Rip Van Winkle, Wonder Man who's been undergoing a test in a stasis chamber for a month, awakens and to his horror discovers that Doom now rules the world.

It’s a fun story that you should definitely try and pick up. Michelinie really makes Wonder Man shine in this story. He's usually been used as a bland, second rate hero. But in this story, we get into Simon Williams' head and really get a good feel for who he is.

However, the really interesting part of this story is that Doom is so bored with ruling the planet that he lets the heroes defeat him.

This story was based on a concept jointly developed by Mark Gruenwald, David Michelinie, and Jim Shooter.

The art isn’t as solid as the miniseries. Something just felt off. Bob Hall is a respectable penciler, but his inking seemed inconsistent. The inking assists by Keith Williams probably came into play here as well lending to that inconsistent feel.

Friday, November 6, 2009

Hercules Full Circle Premiere HC



Not sure how this one slipped by me, but I'm a huge Layton Hercules fan and wanted to pass this on. If you enjoyed the two Hercules miniseries (reprinted in the first Premiere HC), check this one out!

Written by BOB LAYTON Penciled by BOB LAYTON Covers by BOB LAYTON Bob Layton had a vision of the future - Greek gods, sarcastic robots, transvestite aliens and more - and it's time to share it! The Prince of Power encounters the Wonder of the World of Wilamean, his own half-human son! Can the man-god who changed the courses of rivers and history steer his son to the path of justice? It'll help that there's a lot of fighting involved! Plus: rare creator interviews, artwork and more! Collecting MARVEL TALES #197, MARVEL GRAPHIC NOVEL #37, MARVEL COMICS PRESENTS #39-41 and material from MARVEL AGE #4 & #65. 120 PGS.

And a quick plug for the current Incredible Hercules series. Check it out as well, great writing and good art. It reminds you that comics can be fun even among the more serious Marvel titles these days.

J.J. Abrams in Talks to Produce Micronauts Movie


Full story here.

The Wall Street Journal is reporting that Star Trek director J.J. Abrams is in talks to produce a movie about the Japanese interchangeable toys Micronauts, which Hasbro just acquired.

First released in Japan in 1974 (under the name Microman), the toys were imported to the U.S. by the Mego Corporation in 1976. The line consisted of 3.75-inch tall toys which used a universal, five millimeter inter-connective design. Mego cancelled the Micronauts line in 1980. In 2002, Palisades Toys bought the rights to reproduce Micronauts.

The Micronauts comic books were published by Marvel Comics, Image Comics, and Devil's Due Publishing. Their first comic appearance was in "Micronauts #1" (Marvel, Jan. 1979) with characterizations created by Bill Mantlo and Michael Golden.

Abrams tells the newspaper that those who doubt whether a board game or science-fiction toy should be accorded star status will be proved wrong.

"Sometimes, when someone is not a celebrity and you are casting them in a role, everyone who is in a seat of authority voices questions about that actor's talent, sex appeal, looks, ability -- their everything," he says. "But then they get the role, and suddenly they are on the cover of every magazine, and nobody questions those things again. In retrospect, everyone says, 'Of course that person is a star.'"

Sunday, November 1, 2009

1989 - Avengers West Coast


West Coast Avengers #42-53
March - December 1989
Writer: John Byrne
Artists: John Byrne/Mike Machlan
Editor: Howard Mackie

John Byrne’s run on the West Coast Avengers (renamed Avengers West Coast later this year) was a controversial, but pleasant run. Editor-in-Chief Tom DeFalco felt that the title needed a change of direction. So, West Coast Avengers editor Howard Mackie hired John Byrne, who returned to Marvel after a stint at DC Comics doing Superman. Byrne filled both the position of writer and penciler, while Mike Machlan remained on the title as inker.

Steve Englehart and Al Milgrom finished their 39-issue run on the West Coast Avengers and had cleared up most of their plot lines. Issues #40 and #41 were fill-in issues that miserably attempted to finish up the remaining plot lines. When Byrne started in issue #42, Tigra, Wasp, and Dr. Pym had all rejoined the West Coast Avengers without any explanation. It was nice, however, to see the Wasp, who had been normally associated with the East Coast Avengers, and Dr. Pym rejoin.

In Byrne’s run, Pym no longer had doubts about his role, in fact he took over the leadership of the team from Hawkeye. Hawkeye was portrayed as a less competent authority, which many had argued contradicted his character development throughout the limited series and the first 40 issues of this series. Byrne did a welcome job restoring Pym to his rightful place as one of the founding Avengers.

Pym’s mental instability was the catalyst that led to the break up of his marriage to the Wasp, also another foundering member. Byrne set the stage for their reconciliation and had them revive their romance off panel. Byrne “never liked it when they broke up. So we’ll be sort of pushing them back together again” (Peter Sanderson Marvel Age #70, 1988).

Hawkeye never seemed to stand out as an Avengers leader, but seemed to carry enough spirit for the entire team. And by issue #46, Hawkeye tired of being pushed aside takes a leave of absence. Hawkeye becomes a supporting character throughout the run and he eventually finds himself leading the Great Lakes Avengers.


Now to address the source of a lot of fans’ displeasure: Byrne’s treatment of the Vision and the Scarlet Witch. The Vision and the Scarlet Witch had been happily married and Wanda had just given birth to twin sons. Well, in Byrne’s defense, he was hired to shake things up, and shake things up he did.

Byrne followed up an Avengers story line call “Unlimited Vision” (Avengers #251-254) in which the Vision attempts to seize control of the world computers and thereby providing a guiding “vision” (forgive the pun) to humanity. However, Byrne felt the story didn’t hold the Vision responsible for his actions. Well, Byrne’s story called “Vision Quest” has Vision abducted and disassembled. The West Coast Avengers rescued their teammate, but learned that his memory had been erased and that he had become a logical, unemotional machine.

They also learn that the Vision’s abduction had been an international intelligence effort to neutralize the potential threat the Vision posed to worldwide security. A lot of fans saw this story as a direct insult to the efforts of Steve Englehart who had developed the Vision into a distinct character. Also, there was a bit of “suspension of disbelief” required when it turned out that Mockingbird had been tricked into betraying her former teammates. This action also prompted the U.S. to assigned special agent U.S.AGENT to the Avengers team much to his new teammates’ displeasure.


By issue #47, Byrne had also taken over writing The Avengers (East Coast branch) title and worked to increase the interaction between teams. In The Avengers #305, Byrne took a bold step and created a revolving membership system that basically put every Avengers on call. By consolidating the Avengers into one team whose members could be appropriately called upon to deal with any threat or menace.

When the Vision was original created, it was believed that his body was actually that of the original Human Torch whowas an android that fought for the U.S. during World War II but had since been deactivated. However, Byrne reveals that the Vision’s body wasn’t the Human Torch’s, which sends the Avengers West Coast on a quest to find the body of the original Human Torch.

Byrne enjoyed the character interactions of this title. The Vision - Scarlet Witch - Wonder Man love-triangle, the Wasp-Dr. Pym relationship, and the Hawkeye-Mockingbird relationship all get a lot of attention and are dramatically changed. For example, Wonder Man’s brain patterns were originally used to infuse the Vision with a personality. Now that the Vision’s personality has been erased, Wonder Man’s is asked to donate his brain patterns once again. However, he’s in love with the Scarlet Witch and if he restores the Vision he can never have a chance with her.

This run also sees the return of another founder member, Iron Man, to the active roster.

Byrne identified the Scarlet Witch as a favorite character. However as Byrne put it mildly, “the Scarlet Witch is not going to be having a good time ...” (Peter Sanderson Marvel Age #70, 1988). She basically lost her husband, the Vision, and was left with an unfeeling machine. Things didn’t get any better for her. Her twin sons turned out to be pieces of the demon called Pandemonium which she inadvertently used to complete the spell that made her pregnant. Pandemonium showed up and forcibly reclaimed what was his.

Less than a year later, Byrne left the title. Roy Thomas, who had written the Avengers in the 70s, and his wife Dann, became the new writers and were joined by artist Paul Ryan. Unfortunately, both The Avengers and The Avengers West Coast would slip into a period of decline well into the mid-1990s.

For details on Byrne’s departure from the Avengers West Coast, check out his FAQ.

Monday, October 26, 2009

1982 – Alpha Flight


Alpha Flight #1-5
John Byrne, writer and artist

John Byrne's Alpha Flight was a comic book about characters that was disguised as a team book. Unlike other team books where heroes would gather each issue and battle the latest world-threatening menace, an issue of Alpha Flight focused on one team member while it kept the team story alive as a subplot.

After the debut of Canada's super-hero team in The Uncanny X-Men #120-121, overwhelming positive fan response prompted several guest appearances of Alpha Flight across the Marvel Universe and eventually spawned their ongoing title. John Byrne, the co-creator of Alpha Flight with Chris Claremont and former Canadian resident, was given the creative reigns of this new team book. Alpha Flight was originally designed as a super-hero team that was meant to match up against the X-Men. Byrne challenged himself to bring the characters to life beyond a supporting role and shake the title's billing as an X-Men spin-off.

Interestingly, the first story arc read much like an X-Men adventure. These heroes were still confined by their X-Men stereotypes: Guardian's insecurity seemed much like the X-Men's leader, Cyclops; the playful relationship between Sasquatch and Puck was similar to Wolverine and Nightcrawler; Snowbird was as quiet and powerful as Storm. However, the comparison ended with this initial story arc.

Byrne successfully brought the team together in a great story, but then boldly had them go their own way once the threat had been dealt with. It was bold in that Byrne set up an interesting team dynamic, but then decided to move away from the familiar device. The team concept seemed to be a means for Byrne to branch out into each character' story. Each character resumed their life and had adventures independent of each other, which was a revolutionary idea seeing that the more successful team books, Avengers and Fantastic Four, spend most of their time in the comic together.

Byrne's early notable contributions to the team were the agile and mysterious Puck and the innocent amphibian Marrina. Puck was another uniquely Canadian character complete with his "eh" accent and was a solid addition to the team despite his unspectacular appearance. Marrina was a bit more of a reluctant hero and carried with her an ominous past that would prompt the events in issue #2-4. Marrina would leave the team until she returned the following year in issue #14.

Tuesday, October 20, 2009

Marvel Solicitations for January 2010 - 1980s goodness

A rather light month for 1980s-related content.


EXCALIBUR VISIONARIES: ALAN DAVIS VOL. 2 TPB
Written by Alan Davis and Scott Lobdell, penciled by Alan Davis, Dougie Braithwaite, Will Simpson, James Fry, Joe Madureira, Sam Kieth, Steve Lightle, Ron Lim, Brian Stelfreeze, Dwayne Turner, Jae Lee, Malcolm Jones and Rick Leonardi, cover by Alan Davis.

Secrets of the Phoenix Force! Dinosaur subplots resolved! Captain Britain and Spider-Man vs. a pack of human dogs! These and other astonishments await as co-creator Alan Davis takes Excalibur into space and down the rabbit hole! Plus: a battle with the X-Men across time and a team-up with the X-Men against Trolls! Collecting Excalibur (1988) #51-58 and Excalibur: XX Crossing One-Shot.




DAREDEVIL: BORN AGAIN TPB

Written by Frank Miller, penciled and cover by David Mazzucchelli.

"And I have shown him ... that a man without hope is a man without fear." The definitive Daredevil tale, by industry legends Frank Miller and David Mazzucchelli! Karen Page, Matt Murdock's former lover, has traded away the Man Without Fear's secret identity for a drug fix. Now, Daredevil must find strength as the Kingpin of Crime wastes no time taking him down as low as a human can get. Collecting Daredevil #226-233.

248 pages, $19.99.

Wednesday, October 14, 2009

Growing up with Pryde - Part Four


SHADOWCAT
“One of the things you do as a teenager, one of the jobs you have, is that you have to work out your own relationship with the world,” said Louise Simonson, editor of the Kitty Pryde and Wolverine miniseries, from her interview in Marvel Age #11 (Feb. 1984). “This involves a moral relationship as well as a physical one. This series is going to help Kitty define what hers is going to be. It’s really Kitty’s series. Wolverine is just there because he likes Japan a lot, he likes Kitty a lot, and really doesn’t want to see her get killed.”

After Kitty had her heart broken by Peter, she took a leave of absence from the X-Men and went home for a change of location. Unfortunately, she didn’t get much of an opportunity to relax as her father’s ill-advised financial dealings with the Japanese mob end up stranding her on her own in Japan. The use of Kitty’s first person point of view in Kitty Pryde and Wolverine #1 (Nov. 1984) really grounded the reader and allowed them to develop an instant connection with her.

Events escalated as a Yakuza bodyguard named Ogun captured Kitty and put her through a drastic re-conditioning that reshaped her as a ninja assassin. You couldn’t help but feel for Kitty as she was helpless to prevent what was happening to her.


Fortunately, Wolverine made his way to Japan to check up on Kitty and after a near-deadly confrontation with her, they began the arduous task of de-programming her. Wolverine played it tough as her teacher, forcing her to choose to live and fight and struggle. In the end, Kitty’s strength and stubbornness served her well.

In this miniseries, Claremont had more time to focus on what he excelled at: developing character. Unlike a lot of comic book stories, the characters in this series actually changed.

“At the time, she [Kitty Pryde] seemed like an unusual choice; she was a younger, less significant character,” remembers Al Milgrom, miniseries penciler. “But, Chris Claremont really liked writing female characters and invested a lot of himself to make them interesting, diverse, and very strong characters. Teaming her up with Wolverine, a down and dirty character, was an interesting contrast. The tone of the miniseries was a lot darker than you might have anticipated with Kitty Pryde in it, but it turned out to be an interesting story.

“Claremont really liked what he did with the character and liked the way the storyline went. Originally, the miniseries was supposed to be four issues, and as Chris started writing, I guess he got carried away and liked the direction it was going in and begged for another couple of issues to make sure he didn’t short change the process. There was a lot of surprising depth to the story.”

For Kitty, this series was a coming of age story and she symbolized it by taking a new codename, Shadowcat. It also served to solidify the relationship between Kitty and Wolverine and their teacher/student roles revisited the original theme of the Xavier’s school. In the series climax, Wolverine defeated Ogun, and offered Kitty Ogun’s life. Although tempted, Kitty turned down the offer, ultimately proving to Ogun and to herself, that her spirit couldn't be broken.

GROWTH REQUIRES CONTINUAL CHANGE
The explosion of X-titles in the late 1980s and early 1990s saw the disassembling of what a lot fans consider to have been the X-Men dream team. Kitty and Nightcrawler moved overseas to join the ranks of Excalibur, Cyclops rejoined the original X-Men as X-Factor, and what was left of the X-Men relocated to the Australian outback.

After a lengthy run in Excalibur throughout the 1990s, Kitty faded into the background making a few appearances here and there. In 2004, Joss Whedon returned Kitty to the fold in Astonishing X-Men. Whedon also restored Colossus to life and rekindled their romance. The resumption of their relationship in a more adult fashion was interesting since that level of feeling and intimacy couldn’t really be addressed twenty years ago when Kitty was being portrayed as a 14 year-old girl. Interesting as well was the open hostility between Kitty and her nemesis, Emma Frost, who was now a member of the X-Men.

Around the same time, a modern take on a teenage Kitty Pryde in the Ultimate universe was being undertaken by Brian Michael Bendis in the pages of Ultimate Spider-Man. The formula for her character was strikingly familiar and I can’t help but smile wondering how many readers developed a crush for Peter Parker’s cute and spunky mutant girlfriend.

What stands out years later is how Kitty’s character changed as she grew up, unlike a lot of other comic book characters whose development stalled, especially in terms of their age. That change also made a lot of us realize that we were also growing up. However, all I have to do is pick up my well-worn copy of Uncanny X-Men #168 and I’m a teenager again along with Kitty, flooded with emotions and memories as I flip through each page of that wonderfully, unforgettable issue.