Beta Ray Bill by Michel Fiffe

Colours by George O'Connell

1985 - Uncanny X-Men Annual #9 by Art Adams

1. Uncanny X-Men Annual #9 unpublished splash page
2. Uncanny X-Men Annual #9 published splash page
3. Uncanny X-Men Annual #9 unpublished splash page recycled into page 3.
4. Uncanny X-Men Annual #9 page 3.

1989 - Anatomy of a Cover - Punisher War Journal #10

By Jim Lee and Carl Potts

http://www.comicartfans.com/GalleryPiece.asp?Piece=1106731&GSub=83304

1989 - Paragon Software - Doctor Doom's Revenge

Write-up grabbed from mycomicshop.com:

The evil genius Dr. Doom has stolen a U.S. nuclear missile, and now threatens to detonate it over New York City if his demands aren't met. The United States government knows it only has one chance. Actually, two chances: the Amazing Spider-Man and Captain America. In this unique, interactive comic-book adventure, you guide Spider-Man and Captain America through Doctor Doom's fortified castle, where danger lurks in each dark corridor.

Game Features:
* Varying levels of difficulty keep the game challenging for novices and experienced players.
* An actual comic book that details the events leading up to the start of the game.
* A detailed manual, with an introduction by Stan Lee that includes the history of Marvel Comics and biographies on all the characters that appear in the game.
* Realistic sound effects and exciting music score. Includes: Two 5 1/4" floppy disc IBM PC/XT/AT/PS2, Tandy 1000/3000, and compatibles; a comic book, and instructional manual.

References:
- destructoid.com/blogs/manasteel88/comics-in-crossover-games-spider-man-and-captain-america-in-dr-doom-s-revenge--206527.phtml

1981 - Anatomy of a Cover - Ka-Zar the Savage #2

1980 - Star Wars #38

Star Wars #38 – “Riders in the Void!”

Marvel Comics, 1980

Writers – Archie Goodwin/Michael Golden

Artists – Michael Golden/Terry Austin

A few months ago, Disney announced that Marvel Comics would take over the Star Wars licensing rights in 2015. I thought I’d look back at Marvel Comics’ first go at the series in the late 1970s. Star Wars #38 is seen by fans as one of the best stand-alone comic stories of that series. This fill-in issue was published just before Star Wars #39-44 adapted Star Wars: The Empire Strikes Back.

Editor Archie Goodwin does double-duty as writer in this issue with a plot assist from artist Michael Golden. In an interview withTheForce.Net, Golden recalled:

“I told Archie this story that I wanted to do and he loved it, so I sat down and drew it and Terry Austin inked it. After I had sat down to the drawing it, Archie actually called me and said they were actually going to use the story right away, so I finished up the pencils and it went off to Terry Austin to ink. I was originally supposed to write it as well, but because they needed it right away, Archie sat down and wrote it based on my notes.”

“Riders in the Void” kicks off with one hell of a splash page:

A desperate hyperspace jump strands Luke and Leia somewhere far beyond their galaxy. In the darkness of the void, they encounter a strange organic ship that rescues them, but then suddenly attacks them, trying to assess who and what they are. While they prove up to the challenges, the consciousness within the ship seems mad, and as they make their way deeper into the ship, they find the pilot. He turns out to be the last survivor of two long dead races that mutually destroyed themselves and has merged his consciousness with the ship’s controls.

It returns them to their galaxy where it engages an Imperial Star Destroyer, believing it to be part of a constructed reality the computer is creating for its amusement. When the Star Destroyer fights back and hurts it, the organic ship makes quick work of it and realizes that it isn’t much fun anymore. Dropping off Luke and Leia, the mad ship retreats into the void where it belongs and resumes playing its computer-generated games.

As a stand alone issue, it does what it’s meant to do. For a comic book series that’s constantly struggling with making any kind of changes to their cast, this issue turns the point of view around and giving this living ship some character moments. Unfortunately, it doesn’t change despite the climax of the story, the ship realizes it wants nothing to do with this reality and fades back into the void and the comfort of its artificial reality.

However, Michael Golden’s art is simply lovely and stands out as a high watermark in the world of licensed comic books. The detailed inks by Terry Austin add another layer of beauty, providing very clean, very crisp lines. Golden’s art never looked so good.

1982 - Lone Ranger Western Town

You might recall this from the back of a 1982 comic book...

And here's a close-up of some of the figures..