1982 - Bob McLeod's original pencils from the New Mutants Graphic Novel

From the pages of Amazing Heroes #16. I'll let McLeod's beautiful pencilled art speak for itself.

1985 - January calendar

From Marvel Age #26:

1985 - Marvel Top Ten for January

Here were the direct sales ranking of Marvel titles (from Marvel Age #27):

1. Uncanny X-Men #193
2. Web of Spider-Man #2
3. Alpha Flight #22
4. New Mutant #27
5. Amazing Spider-Man #264
6. Fantastic Four #278
7. Thor #355
8. Avengers #255
9. Peter Parker the Spectacular Spider-Man #102
10. G.I. Joe #35

1985 - It's Genetic cartoon from Marvel Age #31

Featuring art by Kyle Baker.

Cliff Chang's Uncanny X-Men

Had to share this beautiful piece of art from Cliff Chang. He captures the look and feel of the 1980s X-Men quiet well. Note the New Mutants in the background.

1988 - Silver Surfer: Parable

Silver Surfer: Parable

Writer: Stan Lee

Artist: Moebius

Silver Surfer: Parable was first published in the 4-colour comic book format (a special request by Moebius) as a two-part miniseries and then as a deluxe hardcover in December 1988. More recently, it’s been reprinted in a trade paperback in 1998.

This story came about when Stan Lee and Moebius met at the 1988 San Diego Comic Convention and had lunch. Stan proposed a stand-alone story and Moebius jumped at the opportunity.

About writing this story, Stan said in a interview in Marvel Age #71:

“They were very easy to write ... though ironically, they took about three times longer to write than normal -- I was such a nervous wreck about doing justice to the work!”

A starving Galactus returns to Earth, but is well aware of his vow not to consume the planet. However, he sets himself up as a God and tries to steer them towards self-destruction. A TV evangelist is more than happy to take up his cause and preaches Galactus’ message in hopes of setting himself up as his prophet.

The Silver Surfer, who had hoped to leave the human race behind to its self-inflicted misery, cannot sit back while all this is happens and takes action against Galactus.

About the story, Moebius had this to say in the Afterword of the Hardcover version:

“I found the story wonderful. It’s full of personal and philosophical considerations which I think are very, very interesting. It’s obviously something very close to Stan’s heart. It’s not all pretty and nice and shallow, like a lot of the usual super-hero stories. In fact, I found it a rather sad and dark story, but at the same time, it is cast in a different light.”

Stan Lee returns the Silver Surfer to his brooding, philosophical self, spending his time contemplating humans and their place in the universe. The Silver Surfer is a great vehicle as he serves as a unique observer of human kind, forcing us to look at ourselves in unique ways. While the dialog has the trademark Stan Lee-isms, the themes of Silver Surfer’s loneliness and frustration with human kind are wonderfully evoked. The story is simple enough and yet is surprisingly effective and thought provoking. What’s nice as well as, is that it’s just the Silver Surfer and no other super heroes.

Moebius adds a bit of Kirby-ese flair to his art work. His fluid art gives a real futuristic feel to the story. His bold colours and fine detailed line work are powerful as they are unique. Interestingly, he wanted to use the limited palette of the newsprint colour comics and saw it as a challenge to bring about the feelings and mood he wanted.

Moebius also chose to do the lettering, but I found his style to be distracting ad its legibility was a bit difficult. His take on it was simple and I can appreciate what he’s saying: “I don’t really understand how an artist can entrust something that is that important to a fired hand, no matter how good he may be. To me, it’s monstrous to have an important part of the look of page determined by an outsider.”

Seek out either the trade paperback or the hardcover as the issues’ poor paper quality really does the art and colour a disservice.

Here’s a sample of Moebius’ rough breakdowns from Stan’s plot. Moebius got a real kick out of using the Marvel Method to put this book together.

 

 And here's an unpublished page:

1985 - Moon Knight: Fist of Khonshu

Moon Knight: Fist of Khonshu

June - December 1985

Writers: Alan Zelenetz (issues #1-3) and Jim (Priest) Owsley (issue #6)

Artists: Chris Warner and E.R. Cruz (issues #1-3)/Mark Beacham/Geoff Isherwood (issue #6)

Moon Knight’s first series ran 38 issues and was cancelled in July 1984. Almost a year later, a new series was released with the title Moon Knight: Fist of Khonshu. Writer Alan Zelenetz wrote the last three issues of the first series and was called upon to kick off the new title and new direction.

Marc Spector tries to leave his other identities behind, retiring his Moon Knight, Steve Grant, and Jake Lockley responsibilities and going so far as to auction off the statue of Khonshu. As you might expect, it doesn’t last long as Khonshu calls Spector back to the Valley of Kings and he is reborn as Moon Knight with new weapons, a new costume, and new powers. He then battles against the avatar of Khonshu’s enemy Anubis and recovers the statue of Khonshu.

The first two issues have this wonderful Indiana Jones pulp feel to them and was a refreshing change from Moon Knight’s usual urban setting. One of the draws to this series was Chris Warner’s art and the inks by E.R. Cruz, the veteran artist who drew Marvel’s Classics, enhanced Warner’s pencils although they tend to overpower them at the same time.

Unfortunately, the creative team suddenly changes after issue #3 with other artists coming to finish Chris Warner’s breakdowns and the art takes a dramatic step backwards. With issue #6, the entire original creative team has been replaced and despite a pretty solid story by Jim (Priest) Owsley and Mark Beacham.

I couldn’t really find any details on what happened behind the scenes in this series and why the new direction was abandoned and why the series was cancelled so quickly. I’ve come across a few article that mention that this series was in fact a 6 issue miniseries, but flipping through the comics themselves, there’s no indication of that.

I did find an interesting tidbit on the letter page of issue #4 by editor Denny O’Neil: “Will there be a Secret Wars (probably meant Secret Wars II) crossover in Moon Knight? Funny you should ask... Yes. More on that next issue...”. But, of course, that item isn’t discussed in the last letter page of the series (in issue #5).

After this series, Moon Knight would join the West Coast Avengers and then go on to star in his third ongoing series in 1989.

One of my favorite Sienkiewicz Moon Knight covers: