Wednesday, January 13, 2010

1986 – Phoenix reborn


Avengers #263, Fantastic Four #286, and X-Factor #1
Writers: John Byrne/Roger Stern/Bob Layton
Art: John Busemca/John Byrne/Jackson Guice/Bob Layton


Unfortunately in late 1985, Jim Shooter approved the Return of the Phoenix story line that reunited the original X-Men and resurrected Jean Grey. The blame for bringing back Jean Grey has passed between John Byrne, Chris Claremont, and Jim Shooter like a hot potato. In 1999, Kurt Busiek stepped forward and accepted the blame.

Claremont didn't like the idea at all and approached Shooter. However, according to Claremont, Shooter “felt the marketing arguments in favor of resurrecting Jean far outweighed what I felt was the critical damage being done to the canon”.


In an interview with Comic Book Resources’ Michael Thomas, Bob Layton had the following to say about Jean's return:


“I have to give the credit/blame to John Byrne. In the initial premise that Jackson Guice and I submitted, Jean Grey was not part of the group. Mike Carlin, editor at the time, pulled me aside one day and said "Hey, how would you like to have ALL of the original X-Men back?"

Apparently John Byrne had come up with a way to revive her and, of course, why would I refuse to use her?”


From BobLayton.com:
“When Jackson Guice and I were developing the series, Jean Grey was still stone-cold dead. Since we knew we would have to have the "babe factor" in any Marvel X-men series, we made the decision to draft Dazzler as Marvel Girl's replacement. As you can see in the version posted here (one of the seven covers that Jackson and I designed that were later rejected) we deliberately left the central female figure blank.

“As the story goes, Byrne brought her back in the pages of the Fantastic Four and that allowed me to relaunch the original X-men with all members intact. Needles to say, poor Dazzler was left out in the cold through all of this.”



The magic explanation was that Jean Grey had been put into suspended animation by the Phoenix entity just after X-Men #101 and was then impersonated by this entity who had copied her soul. It was this entity that destroyed herself in X-Men #137 and not Jean Grey.


Was bringing Jean Grey back a mistake? In my opinion, absolutely. There's no question that this was a bad idea, but financially Marvel couldn't pass up the opportunity to make wads of cash. They compromised one of Marvel's greatest story lines to make money. Angel, Iceman, and Beast have historically had problems outside the X-Men, with perhaps the only exception being Beast as an Avengers. But, they weren't able to do much on the Champions or Defenders as both series were canceled.

The biggest casualty in bringing back Jean Grey wasn't Jean, but rather Cyclops. Scott Summers was portrayed rather pathetically in that he abandoned his wife and child to go gallivanting around with an old flame, with whom he avoided mentioning that he was married.

While I have to admit it was fun to see the original X-Men together horsing around, Iceman and Beast hanging out together, and setting up that familiar love triangle between Angel and Cyclops. But, I wonder if they would have been better off setting up Angel with Jean and reuniting Cyclops with his wife?

With that said, the basic idea behind X-Factor was a clever one. Taking advantage of mutant hysteria to locate mutants under the guise of a mutant-hunting organization was a solid premise that was a new take on Professor X’s dream.


In Byrne’s first pass on Fantastic Four #286 (original pages seen in the Phoenix Rising Premiere HC), the Phoenix entity was seen as more of a malevolent being out to destroy everything. A last ditch effort by Jean somehow imprints her soul on the entity forever changing it. However, that approach didn’t sit well with Shooter and Claremont was asked to step in and do a re-write. The re-write changed the Phoenix force into more of a benevolent being who genuinely wanted to help Jean as she was about to sacrifice herself to save her teammates.

And speaking of Fantastic Four #286, it’s a wonderful issue highlighted by the reunion of John Byrne and Terry Austin. No one inks Byrne like Austin.

Tuesday, January 12, 2010

1984 - Marvel Super Heroes Secret Wars

While I've covered the actual miniseries in another post, I thought I'd share some new images I found.


This first image was a promo drawing done by the legendary John Romita Sr. Absolutely love this picture. Looks like the black space would have been where the logo or advertising blurb would go.











This image is the unused cover to Secret Wars #6 by Mike Zeck in favor of the Bob Layton drawn one. The one thing of note on the Zeck cover is the appearance of Kang who was "killed" by Ultron by this point in the miniseries.












Similarly, this image is the unused cover to Secret Wars #7 by Mike Zeck in favor of the Bob Layton drawn one. The one glaring difference is the appearance of Spider-Woman on the Layton cover.










This image looks to be a water-coloured drawing by Zeck and could have been part of an ad or something as there's some space left blank on the right side of the image.


















One more ....

Monday, January 11, 2010

1983 - The Uncany X-Men



The Uncany X-Men #165-175
Writer: Chris Claremont
Artist(s): Paul Smith/Walter Simonson/John Romita Jr./Bob Wiacek

Paul Smith will always be one of my favorite X-Men artists despite having only drawn eleven issues. His unique style, that oddly seemed both simple and detailed, captured defining look for the X-Men. Bob Wiacek’s inks were well balanced with Smith’s pencils and their end product rivaled the work of John Byrne and Terry Austin. Paul Smith’s relatively short run on The Uncanny X-Men revitalized the series and sparked Chris Claremont’s storytelling and creativity as writer.

When the Brood saga was wrapped up, Claremont steered away from the multi-issue story lines. Plotting wasn’t Claremont’s strength and it suffered without Byrne’s collaboration. To his credit, Claremont did turn to his strength: characterization. Rather than set a plot and have his characters go through the paces, he focused on the characters and had them drive the action.

Writing a team book didn’t seem like an ideal place to focus on characterization; however, Claremont pulled it off. While he juggled the cast of characters he also took the time to put characters into the spotlight.


Claremont was obviously keen on Storm, a young woman with mutant powers that allowed her to control the weather. She went through a slow, unfolding character development that actually spanned several issues. Her life, like any in the real world, was constantly changing. Claremont’s characters evolved as events in their life changed their perspectives.

Storm went through an intense period of inner turmoil until she drastically adjusted her identity to deal with her new responsibilities as X-Men’s leader. She changed from a soft, innocent girl in touch with Mother Nature to a tough, confident woman with a Mohawk and wearing leather.

Claremont also devoted a lot of attention to Kitty Pryde. My early impression of Kitty was that she filled the role of team sidekick. She was a bumbling kid who was often used as comic relief. However, The Uncanny X-Men #168 marked a turning point in this character’s life.

Professor X decided to “demote” her from the X-Men so she could join the New Mutants and be with kids her own age. However, Kitty proved to Professor X that she was no longer the naive thirteen year-old kid that she had been when she joined the X-Men, but was becoming a young woman that had earned her place among the X-Men. To check this, I flipped back through a dozen or so issues of the X-Men and realized that Claremont had been letting this character grow and become a young adult.


During this run, Marvel launched a spin-off title called The New Mutants featuring a group of young kids who would be the next generation of X-Men. Claremont’s writing never suffered from juggling both The Uncanny X-Men and The New Mutants. This new series marked the X-Men family of books and the beginning of a broader X-Universe. Wolverine’s popularity continues to soar and earned him a four-issue miniseries.

This year also saw the X-Men add to their roster. Rogue, who made her debut in Avengers Annual #10 sought out the X-Men to help her control her mutant ability. She was cursed with the power to absorb a person’s powers, thoughts, and memories with the slightest flesh contact. She was reluctantly allowed to join the X-Men, but quickly earned her place.

The year’s final next story line introduced a young woman named Madelyn Pryor who looks exactly like Jean Grey. Scott (Cyclops) Summers fell in love with her and learned that she’s the sole survivor of a plane crash that occurred on the same day that Jean died. As it turned out, their old foe Mastermind used his illusion generation powers on Madelyn and made her the reincarnation of the Dark Phoenix. Once the dust settles, Scott finally came to terms with his grief for Jean and married Madelyn.


Issue #175 was Paul Smith’s last issue and the first X-Men issue for John Romita Jr who would really make a mark for himself over the next couple of years.

Wednesday, January 6, 2010

1983 - Amazing Spider-Man

Amazing Spider-Man #236-247
Writer: Roger Stern
Artists: John Romita Jr./Bob Hall/Bob Layton/Dave Simons/Frank Giacoia/Dan Green


The year started off inconspicuously without any hint of what would be coming our way in a couple of months. Amazing Spider-Man #236 wrapped up the Tarantula/Will ‘O Wisp storyline. I’ll cover that story arc in my 1982 writeup. Issue #237 was a mediocre fill-in issue written by Bill Mantlo and drawn by Bob Hall and Frank Giacoia.

Stern told Patrick Daniel O’Neill in Comics Scene #9 (1983):
 “Ever since I’ve been doing Spider-Man, I’ve spent most of my time trying to re- establish the character that Stan Lee, Steve Ditko, and John Romita did all those years ago. I felt that a lot of what made Spider-Man special -- the thing that kept people coming back and remembering Spider-Man so much -- had been sort of lost, been diluted over the years. It’s sort of inevitable when a character’s been through so many writers, I guess. Until recently, there wasn’t any real editorial thought given to the Spider-Man books [Amazing Spider-Man, Peter Parker the Spectacular Spider-Man, and Marvel Team-Up] as a whole. So I was sitting around thinking, we’ve reestablished Spider-Man, now it’s time to start doing something new, expanding on that, really getting some more growth into the strip again.”

However, everything changed with issue #238. Amazing Spider-Man #238 turned out to be the most important issue of Spider-Man of the 1980s. It featured the first appearance of the Hobgoblin and set into motion the first Hobgoblin storyline that would keep readers trying to guess his real identity. This issue featured the classic art team-up of John Romita Jr. and John Romita Sr..

Amazing Spider-Man #238 was a great jumping on point for new readers. Roger Stern, approaching the peak of his run on the title, weaves a wonderful story that brings out Peter Parker’s character with a distinct voice that I still identify with my favorite Spider-Man. Stern always did a good job balancing Peter’s supporting cast and making them seem far more real and playing stronger role than the usual card-board cut out secondary characters.


From an interview with spiderfan.org, Stern says:

“I came up with the Hobgoblin because I wanted to devise from new villains for Spider-Man, but the readers (at the time) kept requesting the same old villains over and over again. I decided to meet them half-way by introducing a new villain who was using the equipment of the Goblin.”

Amazing Spider-Man #240-241 have Spider-Man cross paths with the Vulture once again. The Vulture is one of Stern’s favorite Spider-Man villains and focuses on the battle between age and youth. The Vulture is finally given an origin after being around for 20 years.

Stern and Romita Jr. bring back Mary Jane Watson in issue #241 and introduce a new love triangle for Peter Parker as he’s already started something with Amy Powell, seen in issue #242.

Peter makes one of the biggest decisions in his life in issue #243. Despite being accepted into the graduate program, Peter quits school. Issues #244-245 have Spidey tried to find the Hobgoblin. In issue #245, the Hobgoblin draws out Spider-Man and he’s unmasked as Left Donavan. However, he’s killed and Spidey knows that he wasn’t the real Hobgoblin.

Amazing Spider-Man #246 is a great, off-beat issue that releases a bit of tension that was setup in past few issues. This story wanders through the daydreams of J. Jonah Jameson, the Black Cat, and Peter Parker. Issue #247 is an artist treat with pencils by John Romita Jr and inked by John Romita Sr.

Interestingly, J.M. Straczynski’s run on Amazing Spider-Man was very reminiscent of these issues, especially since both runs feature the art of John Romita Jr. It’s interesting to see the development of his artwork from emulating his father’s classic Spider-Man style to defining his own style. His artwork back then seems a bit more stylistic and heavily influenced by his father, especially with a great senior inker like Frank Giacoia. This issues inked by Dave Simons seem a bit sloppier and not as refined.


The Stern-Romita Spider-Man run will always be my definite Spider-Man. The more mature Peter Parker seemed to be where I liked the character the most. Stern spent a lot of time developing Peter’s supporting cast and did a lot of great things with them.

Tuesday, January 5, 2010

1983 – Marvel Special Editions

In 1983, Marvel launched a series of prints using the then high-quality Baxter paper under the label of "Special Editions".

Even by today’s standards, these reprints are exceptional and can be found rather cheaply in back issues bins. In most cases, these Special Editions included new wrap-around covers as well as pins by some of the best 1980s talents.

I fondly recall picking up the X-Men Classics and re-reading those wonderful Neal Adams issues featuring the Sentinels, Sauron, and the Savage Land.

In some cases, these reprints weren’t complete and some new material was inserted to bridge the story. See the following list for complete details: http://www.freewebs.com/marvelreprints/mv_edition.txt.

1983
Doctor Strange/Silver Dagger Special Edition #1
- Reprinting Doctor Strange #1-2, 4-5

Warlock Special Edition #1-6
- Reprinting Strange Tales #178-181 and Warlock #9-15, Marvel Team-Up #55, Avengers Annual #7, and Marvel Two-In-One Annual #2.

X-Men Classics #1-3
- Reprinting #57-63 by Roy Thomas and Neal Adams.

X-Men Special Edition #1
-  Reprinting: Giant-Size X-Men #1 by Chris Claremont and Dave Cockrum and featuring an original 10 page Kitty/Illyana story.

Starlord Special Edition #1
Reprinting Marvel Preview #11 by Chris Claremont, John Byrne, and Terry Austin.

Moon Knight Special Edition #1-3
- Reprinting Backup features in The Rampaging Hulk! #13-15,17-18,20, by Doug Moench and Bill Sienkiewicz.

Conan the Barbarian #1
- Reprinting Savage Tales #2,3 by Roy Thomas and Barry Smith

1984
Captain America Special Edition #1-3
- Reprinting Captain America #110-113 featuring art from the legendary Steranko.

Doctor Strange Classics #1-4
- Reprinting Strange Tales #130-141, featuring art from Steve Ditko and outstanding wrap-around covers by John Byrne.

Elektra Saga #1-4
- Reprinting Daredevil #168,174-181,190 (Bizarre Adventures #28), by Frank Miller and Klaus Janson.

Fantastic Four Special Edition #1
- Reprinting Fantastic Four Annual #1 by Jack Kirby and Stan Lee.


Kree-Skrull War Special Edition #1-2
- Reprinting Avengers #93-97 by Roy Thomas, Neal Adams, and John Buscema.

Micronauts Special Edition #1-5
Reprint: Micronauts #1-12 by Bill Mantlo and Michael Golden

Nick Fury, Agent of SHIELD #1-2
Reprinting Nick Fury, Agent of SHIELD #1-5, by Steranko.

Phoenix: The Untold Story #1
- Reprinting The Uncanny X-Men #137 by John Byrne and Chris Claremont with unpublished alternate ending.

Spider-Man and Daredevil Special Edition #1
- Reprinting Peter Parker the Spectacular Spider-Man #26-28 by Frank Miller.

1985
Life of Captain Marvel #1-5
- Reprinting Iron Man #55 and Captain Marvel #25-34 by Jim Starlin.




Monday, January 4, 2010

1980s Video Game Ads


Thought I'd start the year off on a more humorous note. Enjoy this stroll down memory lane...



Hmmm, maybe I could wait just a few more years....

















Just like the movie, okay, maybe not. Not even close...


















Just look at those amazing graphics. C'mon, video games weren't all about the graphics were they? Not back in the 1980s...

Saturday, January 2, 2010

Happy New Year!

Here's to a wonderful year of remembering of the fun we had in the 1980s. And of course for more strolls down memory lane in 2010!

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