Showing posts with label Zeck. Show all posts
Showing posts with label Zeck. Show all posts

Tuesday, January 12, 2010

1984 - Marvel Super Heroes Secret Wars

While I've covered the actual miniseries in another post, I thought I'd share some new images I found.


This first image was a promo drawing done by the legendary John Romita Sr. Absolutely love this picture. Looks like the black space would have been where the logo or advertising blurb would go.











This image is the unused cover to Secret Wars #6 by Mike Zeck in favor of the Bob Layton drawn one. The one thing of note on the Zeck cover is the appearance of Kang who was "killed" by Ultron by this point in the miniseries.












Similarly, this image is the unused cover to Secret Wars #7 by Mike Zeck in favor of the Bob Layton drawn one. The one glaring difference is the appearance of Spider-Woman on the Layton cover.










This image looks to be a water-coloured drawing by Zeck and could have been part of an ad or something as there's some space left blank on the right side of the image.


















One more ....

Friday, May 29, 2009

1986 - Punisher: Circle of Blood


Punisher: Circle of Blood (5 issue miniseries)
January 1986 - May 1986
Writer(s): Steve Grant, Jo Duffy (script issue 5)
Penciler(s): Mike Zeck (1-4), Mike Vosburg (5)
Inker: John Beatty.

Created by writer Gerry Conway and artist Ross Andru, the Punisher made his first appearance in The Amazing Spider-Man #129 and generated enough fan interest for several other appearances. However, it wasn't until 1986 that the Punisher would help set the comic book world on a course that would spawn several Punisher titles and increase the popularity of vigilantes.

Writer Steve Grant and art team of Mike Zeck and John Beatty were given the go-ahead for a miniseries starring the Punisher.

The first issue stands out for two reasons. One, that Grant tries his best at damage control and tries to bring some consistency to the Punisher's character, as he had been used by several writer for their own purposes. And two, that Grant created some depth in Punisher's one-dimensional characterization and his personality actually evolved through the series.

Zeck's horizontal panel style is very effective in enhancing the story by giving it a strong flow. The only complaint about the first issue was the colour mixup (blues came out as greens).

Issue #2 starts a solid gang war premise that shapes the rest of the series. A vigilante organization uses the Punisher to provoke a gang war that sets the New York underworld at each other's throats. Unfortunately, the execution of the story falls apart in issue #4 as the art seems rushed and choppy.

I was curious about the sudden change in scripter and penciler for issue #5 and emailed Steven Grant and asked him what had happened. This is what he had to say:

"Before we started the series, Mike [Zeck] and I made a pact that if one of us got dumped from the series the other would walk, because Marvel was doing things like that these days. When we began the series, we were assured we would have plenty of time to work on it and get most of it done before Marvel put it on the schedule, in order for us to do it the way we wanted.

"Of course, we had barely turned in the first issue when Marvel's marketing dept. decided they were short product for the summer and went through the list, found The Punisher, and put it on schedule. They worked their schedule backwards from the target release date, meaning before we even started the second issue we went from no deadline to six weeks late on it. We spent the next several months trying to play catch up while the book slipped further and further behind the schedule.

"One day Mike got a phone call that they were taking him off the book. I called and protested, but was told the decision was made and could not be unmade. So I left as well. Probably wasn't the best career move I ever made but I ended up with a new best friend..."

The success of this miniseries would prompt a regular ongoing series by Mike Baron and Klaus Jansen.
And as to the mix-up in terms of the covers denoting a 4 issue miniseries on the cover of issues #1,3, and 4 and a 5-issue miniseries on the cover of issues #2 and 5, check out: Comic Book Legends Revealed #196.

This miniseries has recently been reprinted in Marvel's Premiere format.

Thursday, May 28, 2009

1984 - Marvel Super Heroes Secret Wars


Marvel Super Heroes Secret Wars
12 issue miniseries
May 1984 - April 1985
Writer: Jim Shooter
Penciller: Mike Zeck/Bob Layton
Inker: John Beatty

Jim Shooter, Editor-in-chief at Marvel Comics, was prompted by fan mail to create a story similar to Marvel's first limited series, The Contest of Champions. Originally called Cosmic Champions, Shooter saw this series as the fulfillment of the Marvel Universe's destiny (Comics Interview, August 1984). The series was renamed the Marvel Super Heroes Secret Wars and was tied in to a Mattel line of action figures and toys.

This series was a financial success and would spawn a sequel, Secret Wars II. It would also later inspire more limited series involving most of the Marvel Universe's heroes, such as The Infinity Gauntlet, The Infinity War, and The Infinity Crusade.

The Secret Wars featured a mysterious, omnipotent being, calling itself the Beyonder, who was intrigued by humanity and the concept of good and evil. The Beyonder whisked away the more prominent heroes and their villainous counterparts to a world that would be their battle arena.


The heroes kidnapped by the Beyonder were: Wasp, She-Hulk, Captain America, Thor, Hawkeye, Iron Man, Professor X, Nightcrawler, Storm, Wolverine, Rogue, Cyclops, Colossus, Lockheed the dragon, Hulk, Spider-Man, Mr. Fantastic, Thing, and the Human Torch. The villains were Galactus, Dr. Doom, Kang, Enchantress, the Wrecking Crew (Piledriver, Wrecker, Thunderball, and Bulldozer), Lizard, Dr. Octopus, Absorbing Man, Ultron and the Molecule Man.

The Beyonder plainly set the ground rules for this competition: "Slay your enemies and all you desire is yours". Galactus, who was not amused at being kidnapped, confronted the Beyonder. Galactus had been, until that point, the most powerful cosmic being in the Marvel Universe and was batted aside effortlessly by the Beyonder. The heroes and villains, intimidated by Galactus' defeat, began to play the Beyonder's little game.

In early 1984, the characters of the Marvel Universe were undergoing a lot of changes: Jim Rhodes had replaced Tony Stark as Iron Man; Bruce Banner's intellect controlled the Hulk; Professor X could walk and joined his X-Men in battle; and Susan Richards was expecting her second child.

These changes were good subplots that added a bit of depth to a rather shallow story line. Rhodes had the Iron Man image to uphold and he became conformable with his new role. Professor X came into conflict with Storm, who refused to be overruled as leader by her teacher who lacked battle experience. Reed Richards worried about Sue and their unborn child.

Unlike The Contest of Champions, The Secret Wars had an impact on the core Marvel titles: the Thing's departure from the Fantastic Four and subsequent replacement by the She-Hulk; Spider-Man's new costume, that would turn out to be a living creature and become a deadly enemy called Venom; Colossus' romance that forever changed his relationship with Kitty Pryde. The Secret Wars as a whole prompted a closer relationship between the characters in the Marvel Universe.

This series established Captain America's leadership in the Marvel Universe and the respect the other heroes had for him. Dr. Doom showed Molecule Man the full extent of his power which established him as a major power in the Marvel Universe. This series also introduced several new characters, such as Titania and Volcana, who where created by Dr. Doom, and a new Spider-Woman who joins the heroes.

The Beyonder's battle world setting removed heroes from their usual locales and allowed them to engage in an all-out battle with little collateral damage or concern about civilians getting hurt.

I didn't really like John Beatty's inks. They seem a little heavy and choppy. However, I liked Mike Zeck's penciled art so much I eagerly hunted down his run on Captain America. Jim Shooter's script is unspectacular, but he tries his best to build a story around a weak, action-driven plot.


One of the most spectacular (and one of the more unbelievable) events occurred in issue #4, when the Molecule Man dropped an entire mountain range on the escaping heroes. The Hulk managed to hold up part of the mountain while Reed tinkered with Iron Man's repulsor rays to tunnel them a way out.

The Secret Wars #8 was the best read simply for its fan appeal. The heroes finally took the offensive and attacked the villains: Captain America took down the Enchantress, just after she subdued the Hulk; Spidey dished out a humiliating defeat to Titania; and the Human Torch defeated Ultron with his nova flame.

How the villains were chosen wasn't explained, leaving the impression that Shooter had added the most physical villains (such as the Wrecking Crew), but even then, that's a questionable theory, with so many of the Hulk's foes not included such as the Leader, Abomination, and Rhino. Galactus' presence was strange especially when Byrne had strongly emphasized in Fantastic Four #261 that Galactus was a neutral cosmic entity!

Interestingly, Dr. Strange, Power Man, Iron Fist, the entire roster of Alpha Flight, Daredevil, Namor, Vision, Scarlet Witch, and Moon Knight were some of the more prominent heroes left out. Kitty Pryde was originally included in the promo material, but later removed as one of the series' plot points involved Colossus falling in love with someone else.

Another great Shooter catalyst was putting Magneto among the heroes. Magneto was slowly making the transition from a megalomaniac to simply a maniac. A few years later, Magneto would actually become the headmaster at Xavier's Institute. This plot point was a great source of conflict with the X-Men who had to reluctantly defend Magneto from the scrutiny of the other heroes. Also, another interesting twist was the Magneto and Wasp romance.

The manner in which the series was released was a bit awkward. The heroes were taken in one issue of their respective issues, and returned the following issue, while the series itself ran a full year. When the heroes returned to their regular issues, all the changes that would happen at the end of The Secret Wars were revealed, but had yet to happen in the actual limited series.

Here's a look at some of the Secret Wars toys. I guess Baron Zemo was a last minute drop from the villains' roster.


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