Alien by Michael Golden

1979 - Simonson's Alien (Original Art Edition Hardcover)

Alien - The Illustrated Story - Original Art Edition Hardcover
96 pages
Published by Titan Books 
Writer: Archie Goodwin 
Artist: Walt Simonson
Released on October 30 2012

"Two of comics’ greatest talents joined forces in 1979 to bring Ridley Scott’s epic Alien motion picture to the comic book page. Out of print for over thirty years, this brand new edition (released in time to coincide with Scott’s latest opus Prometheus) has been meticulously restored from original artwork in Walt Simonson’s studio — presenting for the very first time the definitive artist’s edition of the greatest sci-fi horror ever produced."

Product Dimensions: 32.9 x 1.8 x 43 cm
Shipping Weight: 1.8 Kg

As some of you may have figured out, I'm a huge Simonson fan and one of my earliest and fondest comic book memories was picking up the Heavy Metal version of this story. To see this story in its original art format was a treat. This book is huge coming in at 14" wide and 20" tall. Please don't let the price of this book scare you off, it's worth it!

The original cover to the Heavy Metal Edition. Alien The Illustrated Story was the first graphic novel to hit the New York Times Best Sellers list!

Back cover.

The original art pages are scanned directly from Walt Simonson's collection and displayed at the same size. This version of the art has all of Simonson's efforts in his full glory from whitepaper correction, paste-ups, and coffee stains from what must have been a few late nights.

There's also a two page pitch to 20th Century Fox featuring Simonson's take on the crew and the Alien, as he hadn't been granted access to that information yet.

This collection also includes Archie Goodwin's script, which was surprisingly sparse with only dialogue. And to conclude this special edition, there's an interview with Walt Simonson and letterer John Workman, as well as an afterword penned by Simonson. 

 

Cover to the Trade Paperback edition

1981 - Uncanny X-Men #143

Uncanny X-Men #143

November 1981

“Demon”

Writer/Co-Plotter: Chris Claremont

Penciler/Co-Plotter: John Byrne

Inker: Terry Austin

This brilliant, stand-alone issue of the Uncanny X-Men spotlighted Kitty Pryde, on her own in the X-Men mansion over Christmas. Now, hands up if you’re old enough to remember that crush you had on Kitty. This issue may remind you why you fell in love with her. For everyone else who’s probably a newer comic book reader and wondering what’s the big deal about Kitty, this issue will give you some insight into why she’s so cherished.

Take a moment to consider what was accomplished in these mere twenty-two pages. Before you get to the core story, you have an effective three-page flashback that explains the monster, a one-page prolog that demonstrates how deadly this monster is and sets the atmosphere, one page that moves the a subplot with Cyclops along, and two pages of character building with the rest of the X-Men. So that leaves fifteen pages. What can you do with fifteen pages? Claremont and Byrne show us that you can certainly do a lot.

In the aftermath of Jean Grey’s death and the Days of Future Past storyline, there wasn’t much time to spend on the newest X-Man, Kitty Pryde, who had joined in issue #129. Those fifteen pages showcased Kitty and gave us some quality 1-on-1 time with her. It’s also easy to forget, especially looking back knowing Kitty has been a successful X-Man, that fans didn’t really know how she would fit on the team.

Claremont and Byrne spent the remainder of this issue demonstrating Kitty’s resolve and resourcefulness, showing us that she had the wherewithal to be an X-Man. This issue was really Kitty’s baptism of fire as an X-Men and she comported herself rather well. It was also her first really opportunity to charm her teenage audience. And with fifteen pages, I think they did an admirable job at accomplishing all of the above.

Despite Claremont’s heavy narrative (take a look at page 18 if you’re wondering what I’m talking about), the story has a great roller-coast flow to it once the N’Garai demon attacks. While the story paralleled the movie Alien (1979) with its similar monster and premise, it successfully employed some of its cinematic devices, like the heart-pounding climax and the shock ending. For those of you who might think that the N’Garai demon was a little bit too much like Giger’s Alien, keep in mind the N’Garai first appeared in X-Men #96 in 1975, pre-dating the movie.

Uncanny X-Men #143 is simply a great X-Men issue and a fine example of what the Claremont/Byrne run was all about.