The FF Forays Into The 80s part III: Salem's Sly Seven & The Blind God That Time Forgot

By Jef Willemsen (clarmindcontrol.blogspot.com)

In the third part of this retrospective on the dimly lit days of Doug Moench and Bill Sienkiewicz's Fantastic Four run, the four fight the seven from Salem before having to deal with a blind god who can't stop crying... not to mention his loyal band of fur vested vikings on  motorbikes.

When we last left the Fantastic Four, their young son Franklin had inadvertently been possessed by Nicholas Scratch, a powerful warlock trapped in the Negative Zone hoping to use the young boy's mutant powers to free himself. The FF, aided by Scratch's mother Agatha Harkness and Gabriel the Devil-Hunter, rushed to the witch community of New Salem, where Agatha would try and perform an exorcism.

However, that was just what Scratch had planned as he told his former accomplices, the Salem's Seven... sitting in New Salem's prison after the FF put them there in Fantastic Four annual # 14. 

"You must escape this prison, eliminate all interference from the other folk, then lay a trap for the Fantastic Four..."

But wait, Scratch had more to say!

"The doors are open... you are free to leave".

Needless to say, the minute the FF arrived in New Salem, they noticed the town was unusually quiet. But even though they were prepared for a trap, they still ran into it. The Salem Seven easily overpowered them and dragged everyone onto a special sacrificial altar...

"Franklin... please... I love you, Franklin, I love you..."

While it's more than a little understandable Sue would be distraught by what was happening to her child, it does irk a bit that while she had been a superhero as long as the male members of the team... she was the only one turning into a sobbing, pleading mess. Thankfully, Gabriel the Devil-Hunter came up with the solution to their plight...

"Feel somethin' bein' wrenched deep inside... like... somethin' s bein' ripped right outta my heart"

Oh, you don't know the half of it, Ben...

Agatha Harkness and Gabriel used their powers to rip the FF's souls from their bodies and project them into Franklin's mind so they could confront Scratch directly. He was more than ready to deal with the team in this realm as well, but because there weren't that many pages left, the villain had an unexpected change of heart.

"I'll release the child! I'll do anything mother... Anything!!"

For a big, bad warlock intent on wresting control of New Salem away from his mother, Nicholas Scratch suddenly turned out to be unable to stomach the idea of actually hurting his mother. With Franklin back to normal, Agatha used her powers to strip away Scratch's and then decided she'd better stay behind in New Salem to take care of her son. 

"Yes, from now on we're going to take care of you ourselves, tiger."

... And what a bang up job you've done so far, but bless Franklin and his childlike optimism for thinking it's going to be a 'heapin' passle o' fun' (heapin' passle? What 4 year old this side of Hazzard county talks like that?)...  yaybo indeed. 

In his interview for Comics Creators on Fantastic Four, writer Doug Moench explained just why he wrote the Salem twoparter.

"I don't think that was my idea. I think Salicrup (the FF editor at the time - JW) asked me to do that. He asked me to pick up the threads from some previous storyline and resolve this mystery about Franklin that had been left hanging by the previous writer. I think I called Marv (Wolfman -JW) and he told me he was going to tie it to Salem's Seven so I just followed his lead. It wasn't really to my taste. I didn't particularly like Salem's Seven."

So, barely three issues in, Moench was already being forced to incorporate and finish characters and storylines he didn't have any particular interest in. Luckily, he was allowed to write whatever he saw fit in the next issue, which meant Fantastic Four # 224 featured... the crystal dome of Korgon. 

While that might sound very interesting... trust yours truly... It truly isn't. 

I could fill another chapter, giving a blow by blow description of all the tedious nonsense that goes on  in issues # 224 and # 225... But it's convoluted, corny and ultimately instantly forgettable. In a nutshell: one morning, the FF are surprised by a mysterious red fog appearing over New York city, a mist that for some reason causes their powers to malfunction.

Sue is the first to notice this and runs out to warn the others, allowing Reed another prime opportunity to verbally slap her around.

"Sue! Not now darling, we're trying to..."

Eventually, Reed is able to trace the origin of the slightly radioactive red mist to the North Pole and the team, continuously suffering power loss, decide to investigate just what is causing all this. Arriving in the arctic, the headstrong Human Torch flies off to explore on his own and is quickly taken prisoner by vikings. Ow yes... vikings. Luckily, he's able to warn the others.

Let's meet the Vikings...

After a brief skirmish, the Fantastic Four allow themselves to be taken prisoner by the Viking forces in order to gain access to their home, the crystal dome of Korgon. And just who is Korgon, you might ask? Well, let's meet the man if you must... 

Korgon the blind god started out 1000 years ago as a normal Viking male, who gained strange energy powers after exploring a meteor crash site. These powers not only turned him blind, he also grew to the size of a giant, became immortal and was able to cry red energy which he uses to power the crystal dome that houses his followers, descendants of those vikings who decided to follow this new godlike creature back in the day...

For convenience's sake, let's ignore such simple truths as inevitable inbreeding after 1000 years, not to mention the fact the North Pole's all ice and no soil, so heating up a city with otherworldly energies would have caused it to melt right through the ice. We have bigger fish to fry, because...

Korgon is close to death. During one of his crying sessions to restore the dome's energy supply, he suffered a seizure that caused his 'energy tears' to escape into the atmosphere and travel across the globe, manifesting itself as the red mist that messed up the FF's powers.

The story continues in Fantastic Four # 225, in which Korgon forces the Fantastic Four to try and cure his ailment... or die. Reed is able to stabilise the god's condition and all seems well in the world... if not for the fact Korgon took Richards aside to make another request.

Mr. Fantastic honors Korgon's request and constructs a device designed to drain away his godlike powers. However, Wiglif, one of Korgon's loyal yet suspicious followers, learned of this plan and secretly adjusted the machine to have the exact opposite effect. Instead of removing Korgon's powers, it amplified them during a process so painful it drove the Nordic man god insane.

And that's as good a cue as any for this anniversary issue's special guest star to arrive...

Yes, Thor and Odin had been monitoring the situation from Asgard and when Korgon lost it because of Wiglif's machinations, the All Father finally allowed his son to help out. Knocking Korgon around, Thor was able to calm the maddened man down long enough so Odin could extract the excess energies from his system... Odin apparently applied an attitude adjustment as well, because Korgon suddenly seemed very happy to continue the life of a god he was ready to abandon a few pages earlier.

Still, let's wrap this up...

"You must also accept trust in us, Korgon... We will never betray the secret of your crystal dome."

Reed's as good as his word... so far, that's the last we've seen of either Korgon or his biker vikings. Asked about this two parter by Tom DeFalco for Comics Creators on Fantastic Four, Moench noted that while the premise of the Blind God and his lost civilisation certainly felt more like the Lee and Kirby type stories he wanted to tell, Sienkiewicz' art wasn't exactly what he'd had in mind.

"I remember thinking this story should look like Jack Kirby and I'm getting Neal Adams. I just couldn't face reality. I knew I should try to do a different type of story and try to get the Lee/Kirby model out of my head, but I never did. My perception of the FF was so rooted in those first fourty issues that I couldn't shake it, couldn't adjust to the reality of the situation."

Still, that doesn't mean Moench wouldn't keep on trying, as we'll see in part IV of The FF Forays Into The 80s: Robots, Parasites and the Ego Spawn... Oh my!

1980 - Captain America #249 Original Art

This pencilled art was grabbed from  

http://www.artofjohnbyrne.com/gallery/pencils/marvel/cap249pencils/CAP249.00.jpg.php

And here's the inked version:

(http://www.romitaman.com/GalleryPiece.asp?Piece=16200&ArtistId=943)

1981 - Peter Parker's Apartment

From Amazing Spider-Man Annual #15.

Script by Roger Stern, art by Marie Severin and Terry Austin.

And here is the "totally wrong" layout from Amazing Spider-Man Annual #13.

1993 - Marvel Age #120

By Alan Davis. I know it's 1993, but I couldn't help but share... I love the Macy's Parade Spidey floating off in the background!

1980: The FF Forays Into The 80 part II: Retro Oh-Noes

By Jef Willemsen (clarmindcontrol.blogspot.com)

In the Spring of 1980, veteran writer Doug Moench teamed with neophyte artist Bill Sienkiewicz to produce the first Fantastic Four run of the new decade. However, their tales turned out to be firmly rooted in the murky depths of 1970s backwater continuity. 

The beloved 2011 movie prequel X-men First Class takes place in 1962, but as director Matthew Vaughn famously stated in an interview regarding the look and feel of the movie:

"1962 is far more grounded in the world of the 50s, I think it takes about five years for a decade to really start getting its identity"

That certainly holds true for Doug Moench's Fantastic Four. The pacing and content of his stories still have an unmistakable, late 70s feel to them. Nothing wrong with that, hindsight is 20/20 after all, but it's interesting to note how Moench's successor John Byrne essentially dialed the clock back to 1962 in his first year on the title and is somehow still regarded as the great genius who brought Fantastic Four into the 80s.

Anyhoo.. we last left the Fantastic Four in the opening page of # 219, that immediately established Moench's take on the characters. Reed was smart, Ben was strong, Johnny was the young one and Sue, well, she was Reed's wife so she was there. Essentially, their roles were as subtle as the intro to their 1994 cartoon show.

"Reed Richards is elastic, Sue can fade from sight, Johnny is a Human Torch..."

Darn, that tune is every bit as corny as it is catchy... How did it end? Ah yes, "the Thing just loves to fight", something Ben proves in the second page of this issue when a part of the machine he's been lugging accidently hits him on his head and he smashes the expensive piece of equipment out of spite...  

"Sue, must you always get in the way?"

Annoyed, Mr. Fantastic walks out on his teammates, which leaves Sue with ample time to stick up for her unreasonable, abusive husband. As Johnny wonders what's eating Reed, Ben is eating... a sandwich.

With all of this is going down at the Baxter Building, prince Namor the Sub-Mariner is surprised in his sleep by a group of divers who attack the royal palace at night (... isn't it always dark as night on the bottom of the ocean?) in order to get their hands on the Sub-Mariner's prized possession: the fabled Perseus Horn.

Guess who they deliver it to...

Meet Cap'n Barracuda, one of Lee and Kirby's not quite so memorable creations... A non super powered, one eyed submarine captain (which allows for super easy periscope peaking) who only appeared in three other stories since his introduction in 1964's Strange Tales # 120. 

Still, he could finally be a real threat, thanks to the Perseus Horn's ability to control all aquatic life, including the many sea monsters Namor himself loves to call up while invading the surface world. Barracuda didn't want to conquer however, his main goal for employing the denizens of the deep was to keep the police and the superhero community occupied while he robbed some banks.

A relatively sound plan, considering both the cops and the FF rushed out to fight the first Giganto approaching New York harbor. Everyone assumed Namor was behind it, until hie showed up.

In a refreshing change of pace, Namor and the Fantastic Four skipped the usual 'good guys battle it out for a few pages before they realise they're on the same side' cliche... And a positively Neal Adams-style Sub-Mariner agreed to join forces with the team to deal with... even more sea creatures?

While Namor and the Torch tracked down the source of the horn's vibrations, Reed, Ben and Sue were  left to deal with the masses of murderous, mind controlled sea life. Reed soon came with a way to break the horn's hold: cancel out its swaying tones with similar frequencies.

However, by the time Johnny and Namor found his sub, Barracuda had already taken both the horn and a squadron of goons to the main land to go a-lootin'... And the minute he noticed his control over the creatures was slipping away due to Mr. Fantastic's counter tones, he blew the Perseus horn for all he was worth, gaining the upperhand again. This minor victory really unhinged the already rather unstable villain.

.  

"No use... I don't have enough strength or control yet!"

Poor Sue... Moench followed Stan Lee's example and consistenly wrote her as little more than a cheerleader to Reed Richards, despite the fact her invisible force fields potentially made her the most powerful one on the team. Instead of blowing her cover by trying to grab the horn, she could have just thrown an invisible force bubble around Barracuda's head so he would pass out, ya know... the same thing she did in Fantastic Four # 166... to the friggin' Hulk.

.

Still, she kept the horn out of his reach long enough for Mr. Fantastic's faux frequency to work and for both Namor and the others to 'rescue' her of sorts... Which was Namor's cue to wrap matters up as only the righteous fury of the one true Sub-Mariner can...

"For the love of filthy paper!"

With a decisive 'WOKT!', Namor knocked Barracuda out in his last Marvel appearance to date. Yes, this baddie is so lame even the late Mark Gruenwald wouldn't offer him up to be a victim of the Scourge of the Underworld over in Captain America. 

But just as he's about to return to Atlantis with the Perseus horn, Moench almost has the Sub-Mariner pay literal lip service to the long running, Lee & Kirby established, romance between him and Sue.

And with Namor's departure, all that's left is to wrap up that silly ol' argument the team had in the opening pages of the issue... So let's get it over with...

"Just thinking about how we were at each other's throats a few hours ago..."

Reed happily forgives Johnny for the fight and agrees with Sue, it's just like a family to have arguments... Doesn't anyone remember that none of them were actually arguing until Mr. Fantastic tripped, threw a tantrum and decided to curse out everyone else? Just like a family, alright... Although no one told me the Baxter building had been moved to a trailer park...

So much for # 219... And if you thought the sudden arrival of the Moench/Sienkiewicz team on the book was jarring, get ready for # 220 and 221, a two parter that featured John Byrne's first FF contribution as both writer and artist. This tale about mysterious aliens in the arctic circle causing worldwide electrical problems started out as a Coca-Cola commissioned oversized free comic book giveaway. However, as Byrne revealed, the story was deemed much too violent by the softdrink giant and subsequently rejected. 

Or, as Byrne himself put it:

"If you look at it, you'll see that the Thing hits a couple of robots. But, it was too violent for Coca-Cola and they rejected it, Jim (Salicrup -JW) suggested we cut it in half, add a couple of pages and turn it into two issues of 'Fantastic Four'. They're the two dullest issues of FF ever published."

Byrne had been Fantastic Four's regular artist for 8 months, garnering much praise before Sienkiewicz's debut. Having him return for those two issues only served as a painful reminder to faithful fans of what they had lost, even though Byrne would later admit he didn't feel those initial eight issues set the world on fire. Be that as it may, having this brief respite didn't exactly help cement the notion that # 219 was in fact the start of a new era of greatness.

Inevitably, issue # 222 rolled along, which saw the return of Moench and Sienkiewicz in a two parter that started out like this...

"Morning troops, now that I've slept so late and let my brain get fuzzy, I think it's time for an outing to the library!"

'Morning'? Just look to your right, Reed. Judging from the pitch black dark outside, I'd say morning has come and gone... Still, the opening page to this issue proves another thing: inker Joe Sinnott started to embellish Sienkiewicz's art more heavily than in Bill's debut issue. Back then, Sinnott had already inked over 150 Fantastic Four issues, starting with Jack Kirby in # 44, so he knew how an FF comic was supposed to look. In fact, writer Doug Moench recalled in Comics Creators On Fantastic Four that he specifically asked for Sinnot to ink his run, in hopes of emulating that fabled Lee and Kirby FF feel.

However, times had changed. Just as Sue was playing horsey with Franklin, Reed demanded her attention as he kissed her good bye, eliciting a rather surprising reaction from Franklin.

"Yaybo! Mommy and daddy are smooching'! Smooch er again, daddy!
 I like it when you smooch mommy!"

Yes, having a young boy cheering on his parents' intimate moments... nothing creepy or disturbing about that, right? Well, not compared to what's about to happen to the little guy, that is.

With Johnny and Ben out and Reed leaving to do scientific research at the New York library (ahh, the age of Google and Wikipedia was close to three decades away), Sue remained behind to look after Franklin. And what better game for the Invisible Woman to play with her 4 year old kid than... Hide and seek?

A grown woman turning invisible and forcing someone not even old enough to read  to look for her... Talk about child cruelty... especially when during the course of this game you stand by and watch your child fried in a room that contains the portal to the deadly negative universe.

Guess that's as good enough a reason to panic. Sue fires the good old FF flare gun, used to summon the team in the days before beepers, pagers and cellphones, and Reed, Johnny and Ben quickly come a'running...

"Do something, Reed... stop it... Help him!"

Sue's pleas have little effect, as her little boy suddenly speaks up but doesn't sound anything like the adorable child we all know and love. Luckily, a distraught Sue is comforted by Reed as only a husband can soothe his wife's understandable hysteria...

"Stop it, Sue! Snap out of it!"

Little over a year after this issue saw print, Hank Pym would hit the Wasp in Avengers, an act he'd never live down. But Reed Richards somehow avoided being branded a wife beater, even though he smacks her off her feet with an enlarged hand. There was no need for that, given that he was already restraining her. On a sidenote: apparently Reed also knocked Sue into her FF uniform on that last panel.  

Ah well...

Between slapping his spouse senseless and panicking, Reed figured out Franklin's been possessed by some being from the Negative Zone. With Doctor Strange unavailable for consultation, the FF suddenly realised Franklin's nanny Agatha Harkness is a witch... and don't they specialise in possessions and stuff like that?

So ho ho ho... it's down to Whisper Hill they go for something as inevitable as...

Meet Gabriel the Devil Hunter, a character Doug Moench created in 1974's Vault of Horror # 2. Gabriel, as his nickname suggests, is rather adept at hunting down demons. And boy, is Franklin possessed by one or what...

Much to Agatha's shock, the force possessing her young ward is Nicholas Scratch... her own son. Agatha can only banish the warlock from her base of power, the hidden witch community of New Salem... 

So that's where we'll pick up part III of The FF Forays Into The 80s: Salem's Sly Seven & The Blind God That Time Forgot